Films for Thriller Writers, A Survey Course
Thrillers on film and TV are research for me. Here are a dozen that taught me a lot:
The Third Man (1949). Old school. Joseph Cotten has no idea what he’s gotten into, and neither have we, except that we all know that nothing is what it appears to be. The Third Man is also among the original, and still one of the best, sources of that time-honored convention of thrillers — the major character we never see until the very end, when his presence and influence is suddenly obvious throughout the whole story.